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Exactly a century ago the young M.I.T.-trained architects Charles and Henry Greene hung up their shingle in Pasadena, eventually conceiving more than a hundred houses that helped foster this notion of southern California as a civilized Arcadia. Long roof overhangs acknowledged the sun with the grace of parasols, reducing glare inside, as elevated brick-and-stone terraces invited outdoor living within view of the nearby mountains and Arroyo; sleeping porches were grafted onto second-floor bedrooms. The Greenes thought of the lots themselves as part of a continuous, flowing landscape, designing lawns and gardens without fences to meld into the surroundings. The brothers were writing a specifically southern California scenario into these houses, inventing a way of life through design that acknowledged the bounty of nature.
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Built or under construction by 1906, this cluster of a half-dozen houses forms an inspired walking tour, almost color-coded by a patterned brick sidewalk and retaining walls spotted with Arroyo boulders. In Pasadena, where citizens dote on their rich architectural heritage in general, and on the Greenes in particular, this enclave has been called Little Switzerland, for the inspiration some of the houses take from the Swiss chalet. Together the houses form a stylistic biography of the firm, and a succinct statement about California's early contribution to national architecture. The handful of elaborate houses that the Greene brothers built in Pasadena from 1904 to 1911 feature broad, overhanging eaves, prominent sleeping porches, and a frank utilization of wooden members (“sticks”) for exterior decorative effect. The bungalow style that was developed by Greene and Greene soon influenced the design of countless smaller bungalows.
Timeline
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The Gamble House is the finest example of early 20th-century Craftsman architecture. It is preserved with all of its original furnishings which were also designed by the architects. Food and drinks are not allowed inside the house, guests are welcome to picnic outside on the grounds. They grew up in the Midwest, studied architecture in Boston, and were banking on careers as East Coast architects. At the beginning of 1893, they briefly considered going to Pasadena to join their parents—who, like so many others, had recently moved to sunny Southern California—but decided that their prospects were far brighter in Boston.

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The Greenes designed everything—not just the house, but the landscaping, the fittings, the furniture, the carpets. Like their contemporary Frank Lloyd Wright, they wanted control over the entire environment. “The primary difference with Frank Lloyd Wright is that the Greenes worked in one small area of the country and didn’t have the drive to expand their practice beyond Southern California,” says Bosley. The early projects of Greene and Greene reflected the traditional tastes of their clients, but in time they achieved recognition for developing the California bungalow to a high art, as well as for creating houses with the quality of fine furniture. The Gamble House represented an American-style which sat amidst an abundance of imitations and interpretations of classical European buildings, the influence for many mansions at the time.
ARTS & CULTURE
The Greene brothers took these key pieces into consideration when designing the house, and they still exist there today. This dining space reveals a smooth, velvety glow that permeates the space, which is created by a lack of direct lighting. It all began when David and Mary Gamble of the Proctor and Gamble family packed up their belongings and moved from Ohio to sunny California in 1893. At the time, many families from booming cities in the Midwest and on the East Coast were migrating to California in the hopes of a cleaner, warmer, healthier lifestyle. Many of them settled in Southern California and a large group set up camp in Pasadena. Johnson faces backlash from hard-right members of his party after he joined Democrats on Saturday to pass a critical foreign aid package that included $60.8 billion of aid for Ukraine.
Perhaps the most interesting feature of the Gamble House is the lack of exposed nails and screws. (The rumor that the home doesn’t use any is completely untrue.) Greene and Greene covered every nail and screw in the house with a wooden button, making for both interesting patterns and a sense of the house being of only wood. Holding your meeting in Pasadena means your attendees will get to enjoy fresh air, wide-open spaces, and of course, the... The standalone guest house has a separate entrance and is perfect for overnight guests, an in-law suite, or even a private office/writer’s retreat. Like this bedroom with a tiled fireplace and earth and Japanese influenced lighting.
Gamble House Museum
The house's design reflected the Gambles' love of nature as flowers and trees were brought to the interior—creating pictures in wood, metal, art glass, and semi-precious stone. The building itself appears enmeshed with the landscape, achieved by a blend of man-made materials such as brick and rough dash-coat stucco and natural materials such as granite river stones and creeping fig that grows up onto the foundations of the terrace and steps. As teenagers, the brothers studied at the Manual Training School of Washington University in St. Louis, where they studied metal- and woodworking and graduated in 1887–1888. Their father, a practicing homeopathic physician by this time, was very concerned with the need for sunlight and circulating fresh air; the importance of these elements was to become one of the signatures of the brothers' work. Charles and Henry each received a "certificate for completion of partial course", a special two-year program at MIT's School of Architecture, in 1891.
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Dougong, one of the many building techniques on display at the expositions, is a building practice of interlocking wooden beams, showing exposed joinery which when painted, acted as ornament. Dougong also has the practical application of protection from earthquakes, as the elasticity of multiple dougong has the ability to withstand seismic forces. These wooden brackets, often seen on the edges of roofing, are responsible for giving traditional Japanese buildings their signature look. In 1905 the Greenes began an association with Peter Hall as the primary contractor for their major commissions, and from 1907 with his brother John Hall, who ran a millwork shop producing their decorative arts and furniture designs. In 1893 their parents requested that the sons move to Pasadena, where they had moved a year before. The brothers agreed and, while traveling by train from Boston, they stopped at the World's Columbian Exposition in Chicago and saw a few examples of Japanese architecture.
The Gamble House
Driving around Pasadena, with its idyllic tree-lined streets and clusters of historic craftsman homes, it’s hard not to... Celebrating a diverse mix of art, architecture and history of the Arroyo Seco area, MOTA Day features five unique... The Gamble House has developed a special one-hour tour of the house’s grounds and exterior. Your guide will lead an exploration of the house’s context and history throughout the gardens and terraces.
It’s a one of a kind home and a once in a lifetime opportunity to own a Greene & Greene designed arts and crafts craftsman. Further north, away from more ostentatious abodes, such as the Wrigley Italian Renaissance mansion, the Gamble house, built and furnished for a comparatively modest $80,000 by Greene and Greene in 1908, is considered a masterpiece of Craft-style architecture. Movie fans might recognize the low-pitched rooflines, deep eaves and handcrafted wood from Doc Brown’s house in Back to the Future, which was screened there last month for a fan event. This month it’s Upstairs Downstairs, a two-week only docent-led tour of the, servants’ quarters and kitchen, as well as the basement laundry and coal rooms, in addition to the rest of the bedrooms and family rooms.
One of the wooden panels in the entry hall is actually a concealed door leading to the kitchen, and another panel opens to a coat closet. Similar to the rest of the residences on the tours, a connection to the outdoors is inseparable from the history of the house and to this day, the restoration team is keeping the intention alive. In fact, Isabelle Greene—the granddaughter of Henry Greene and landscape architect—has been working on revamping the garden that has been forgotten for years.
Low-pitched roofs, deep terraces, and titanic, unscreened sleeping porches dominate the exterior of the house. The street view is especially striking for the monumentally deep eaves that shelter the northeast porch, which visually expands the boundaries and overall form of the house well beyond the confines of its shingled walls. In the early years of the twentieth century, sleeping porches were popular and national periodicals promoted them to health seekers and the culturally alert, many of whom came to Pasadena for the winter season. Nowhere did these porches proclaim more boldly the promise of outdoor life than in the Gambles’ winter residence. Using Douglas fir posts and beams, redwood split shakes, local river stones, clinker brinks, and a creeping fig vine that literally and figuratively roots the house to its site, the Greenes skillfully choreographed a seamless integration of house and landscape.
Inspired by Japanese architecture, the Greenes ensured that there were no hard edges to be found on the property. The exterior of the house is lined with Douglas fir and the extended overhanging eaves act as cooling agents while protecting the porch from the rain. Soon after their arrival in Pasadena, Charles and Henry set up shop together, and the architecture firm of Greene & Greene was born. Their art would culminate between 1907 and 1909 with the construction of the “ultimate bungalows” — one of which is the Gamble House in Pasadena.
Their father decided for them that the two should become architects, and at his urging, enrolled at the School of Architecture of the Massachusetts Institute of Technology. They grudgingly studied the traditional classic styles, hoping only to gain certification for apprenticeships with architecture firms upon graduation, which they accomplished — Henry finally settling in with the H. The firm of Greene & Greene was officially dissolved in 1922 after Charles moved his family north to Carmel-by-the-Sea, California in 1916, at age 48.[10] Henry remained in Pasadena, doing architecture projects on his own.
The design details throughout are clearly influenced by Japanese architecture, which they first became enamored with during a cross country trip. While making their way from Ohio to Pasadena, they first experienced it when they stopped by the World’s Columbian Exhibition in Chicago—also known as the Chicago World’s Fair—and visited the Ho-o-den Japanese Pavilion. The house is filled with repeated motifs that are regularly found in traditional Japanese design.
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